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Electric Guitar & Digital Processors
The electric guitar was first used by jazz guitarists, who used amplified hollow-bodied instruments to get a louder sound in Swing-era big bands. The earliest electric guitars were hollow bodied acoustic instruments with tungsten steel pickups made by theRickenbacker company in 1931. While one of the first solid-body guitars was invented by Les Paul, the first commercially successful solid-body electric guitar was the Fender Esquire (1950). The electric guitar was a key instrument in the development of many musical styles that emerged since the late 1940s, such as Chicago blues, early rock and roll and rockabilly, and 1960s blues rock. It is also used in a range of other genres, including country music, Ambient (or New Age), and in some contemporary classical music.
The
Guitar Accessories: Processors
: it sends and receives MIDI information. The It controls any MIDI device
using MIDI Control and Program Changes and when used with the Guitar
Processors; certain specific features are available.
Fees Structure: Each Term 36 hrs package : Rs. 12,000/- Validity: 6 months Learning: Time: 11am - 9 pm ( Mon - Sat ) any one or two hrs. Come at will 100% Flexibility No big Rules Lessons provided Instrument Provided Expert faculty Learn with Notations Also learn to perform Special Offer: One Year Package available too! Normal Fees: 12,000/- x 2 = Rs. 24,000/- Discount Offered: = Rs. 3,000/- The Offer: = Rs. 21,000/- The Validity: One Year ( 12 months) Additional : Breaks allowed 3 months extn. possible for valid reasoning.
Processors:Mirco B R from BOSS:
Far-Reaching EffectsThe Micro BR has two effect processors—one for individual inserts and one for reverb. The reverb choices are pretty limited with only a hall and a room to choose from, but you can edit the reverb time and tone. The reverb is actually not bad. It doesn't rival most reverb plug-ins, but for a box that fits in my pocket I can't complain. The insert effects are grouped in three categories: guitar effects, vocal/mic effects, and mastering effects. There are 80 guitar effect presets, 20 vocal/mic effect presets, and 10 mastering presets. The guitar effects are so much fun—really inspiring and realistic. “The guitar effects are inspiring and realistic; vocal effects are creative and edgy.” Record Your SongThe other working mode in the Micro BR is Song mode, which turns on the four-track recorder. Song mode is the coolest thing about the Micro BR. Though Boss calls it a four-track recorder because it can play back four audio tracks at the same time, it's really 34 tracks: one stereo rhythm track and eight virtual tracks for each of the four playback tracks.
I wish there were a few more vocal effects, but I really like the ones Boss gives you. I found them very hip with some creative, edgy vocal delays that make anyone sound like a rock star. The mastering effects were decent as well. Again, I can't compare the Micro BR effects to the Waves Platinum Bundle, and I wouldn't begin to. But for what this box is and does, the effects are usable, abundant, and inspiring. Using the effects while recording is intuitive but getting to specific effects categories after you've recorded a track is not. When you record your guitar, for example, you must choose the guitar input from the front panel, and when you press the Effect button, it automatically calls up the guitar effects group. But after you record, you may want to add a chorus or delay. To do that, you need to change the input to "Mic," press the Effect button, choose where you want to apply the effect (the track with the electric guitar), and then scroll through the 20 vocal/mic effects. That's confusing.
Chop-Chop, Mix-MixWhen you're used to a big computer monitor and software like Pro Tools, editing on the Micro BR can be frustrating. There's no solo or mute or automation, for example, so if you want to mute a track, you have to simply bring the volume to zero. The cool thing is that the micro BR can edit in measures. So I could tell it to copy the data from measure 26, beat 2, to measure 54, beat 3, and paste that at bar 1, beat 2. I wish there were a crossfade feature that made my edits a little less abrupt, though. When you're done recording and editing your tracks, you'll want to Optimize. This removes any unkept takes from the SD card and saves you space. Optimizing doesn't delete any parts left on Virtual Tracks that aren't being used. It simply deletes audio that was recorded over and is not being used at all. Creating a final mix of a song wasn't as obvious as the rest of the functions but it is spelled out pretty clearly in the manual. You have to enter Mastering mode by pressing the Exit and Utility buttons together a few times, choose an unused virtual track on which to record your final mix, and then press record. When your mix is done compiling, press Stop and the Micro BR asks you what format you want your final mix in, MP3 or WAV. You name your track and then your final mix is placed in the MP3 folder of the Micro BR's drive. When you connect your Micro BR to your computer, just open the MP3 folder and find your final mix to burn to a CD. LAUNCHING on Aug 23rd, 2009 . . . Professional Series of Courses - Guitar, Piano, Drumsset Full time One Year or Part time 2 years
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